50fps

  •  

    RECORD 4K, HD & RAW* DIRECT TO HOLLYWOOD EDITING STANDARDS

     

    Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI.

     

    * RAW recording with future firmware update - See table below for latest release schedule

    REVIEW INSTANTLY ON SET

    Full playback controls allow collaboration on set to review content the moment it’s captured, using the full suite of monitor tools on screen or out to a larger HDMI or SDI monitor. There is even 4K to HD down scaling to connect with existing HD infrastructure.

     

    THE WORLD’S MOST ADVANCED AUDIO AND VIDEO MONITOR

     

    A stunning 7.1” 1920 x 1200 320ppi IPS screen makes Shogun perfect as a director’s monitor. Shoot more accurate colors with class leading 3D LUTs, 2:1/1:1 zoom for critical focus, waveform, focal assist and an optional Spyder calibration unit. It’s the perfect tool for perfect creative shot setup.

    METADATA TAGGING AT POINT
    OF ACQUISITION

    Save time in post by tagging your captured content the moment you review on set. Mark Favorite/Reject, create a custom playlist*, upload custom meta data tags* and even cut in/out points. Save them out as an XML on the Shogun and drop straight onto the timeline of your favorite NLE.

    * Available with firmware 6.3

     

    2015 FUTURE UPDATES

    • Anamorphic de-squeeze (including Panasonic 8:3)
    • Pre-roll record (8s HD, 2s 4K)
    • Custom time lapse recording (multi stage, duration & interval)
    • Custom playlist generation
    • LUTs applied on output
    • Cinema 4K DCI support (4096 x 2160p)
    • RAW recording to ProRes, DNxHR, Cinema DNG.
      • Sony FS series.
      • Canon C500.
      • Arri Alexa.
      • AJA Cion.
    • Uncompressed v210 recording
    • Custom meta data tagging
    • GenLock

     

    4K off the sensor in edit friendly 422 10-bit Apple ProRes 422 for increased color depth & 10-bit for high quality post effects.

     

    Spectacular 7.1” 1920x1200 320PPI SuperAtom IPS capacitive touch-screen.

     

    Affordable, readily available SSD, HDD & CFast. Use singularly or raid 2 x HDD together to manage extra long 4K record times.

     

    Our most advanced OS yet, with more monitoring features and a GUI to exploit the super resolution screen.

     

    All the tools for perfect color, exposure & focus. Waveform, RGB parade, luma overlay, vectorscope, test pattern, 2:1 zoom, focus peaking, false color, zebra 0-100% & blue only.

     

    A pro monitor requires pro audio. An included breakout Lemo cable gives balanced XLR, line/mic, phantom power & 2ch balanced output.

     

    Trigger record start/stop & record timecode direct from the camera over HDMI (select Canon, Sony and cameras with the Atomos protocol) & SDI (all cameras).

     

    Send 4K safely and conveniently using our 12G SDI connection. Avoid multiple SDI cables and avoid dropped frames.

     

    Create FCPX XML projects on the fly with Favorite/Reject flags in the meta-data so you are ready to edit straight away in FCPX or Adobe Premiere.

     

    Out of the box colors you can trust with calibration to SMPTE Rec. 709 & D65 white point or Canon C-Log. Alternatively enable Canon C-Log, Sony S-log 2/3 or calibrate on the fly with an optional Atomos Spyder.

     

    Synchronize with the camera’s timecode & record run, free run, time-of-day time codes for independent external recording.

     

    Lock to an external Genlock reference signal to synchronize the Shogun’s SDI playout. A must have for multiple camera shoots in a studio environment.

     

     

    SHOGUN OS UPDATES


    Features

    Date AtomOS

    Custom meta data tagging

    End May 6.3

    GenLock

    End May 6.3

    Anamorphic de-squeeze (including Panasonic 8:3)

    End May 6.3

    Pre-roll record (8s HD, 2s 4K)

    End May 6.3

    Custom time lapse recording (multi stage, duration & interval)

    End May 6.3

    Custom time lapse recording (multi stage, duration & interval)

    End May 6.3

    Custom playlist generaton

    End May 6.3

    LUTs applied on output

    End May 6.3

    Sony FS series RAW to ProRes, DNxHR and CDNG

    Mid June 6.4

    Cinema 4K DCI support (4096 x 2160p)

    Mid June 6.4

    Canon C500 RAW to ProRes, DNxHR, CDNG

    End June 6.5

    Arri Alexa RAW to ProRes, DNxHR, CDNG

    End June 6.5

    AJA CION RAW to ProRes, DNxHR, CDNG

    End June 6.5

    Uncompressed V210

    End June 6.5

     

     
  • The world's smallest uncompressed video recorder!

    HyperDeck Shuttle dramatically improves the quality of video cameras and is the perfect portable field recorder for live production switchers! It's also the ultimate solution for digital signage. HyperDeck Shuttle gives you the quality and flexibility of compressed ProRes or DNxHD and uncompressed recording direct to common low cost SSDs in the smallest possible size! HyperDeck Shuttle is compact, affordable and battery powered so it’s perfect as a field recorder. HyperDeck Shuttle bypasses your camera’s compression and records from SDI and HDMI direct into the highest quality video possible! SSDs are cheap and fast, so you can edit directly from the SSD media itself. Only SSDs eliminate time wasting file copying! Only £269

    Compressed or Uncompressed

    Now you have the freedom to work in both compressed and uncompressed video depending on the needs of your project! Uncompressed video will always produce the highest quality mathematically perfect results and is ideal when recording video for color correction, chroma keying and high end VFX work. When you need longer recording duration or you're working with lots of video material, HyperDeck Shuttle 2 can be instantly changed over to use ProRes or DNxHD MXF compressed video files. The popular Apple ProRes 422 (HQ) and Avid DNxHD files are SMPTE standard codecs that are used by thousands of broadcast and post production facilities worldwide as they maintain the highest 10-bit video quality with the advantage of smaller file sizes.

    Go Anywhere, Record Everywhere!

    With a compact and incredibly sturdy design, HyperDeck Shuttle is machined out of a solid block of aircraft grade aluminum! That means you get a design with the strength to go anywhere! Take your HyperDeck Shuttle into the field, on set, to live events, or even on your extreme sport shoots. With an internal battery, just recharge and go! The possibilities are virtually endless! Read more >

    Solid State Disk (SSD) Technology

    Simply plug a 2.5” solid state disk into HyperDeck Shuttle and you get video recording with blazing fast speed, low power consumption and totally silent operation. Now you can eliminate complicated and expensive disk arrays. A single SSD can record either compressed or uncompressed video effortlessly! Removable media like CF and SxS cards simply cannot match that kind of performance and require slow file copying to use. Read more >

    Faster Cost Effective Workflows

    HyperDeck Shuttle improves every step of your production workflow pipeline. For quick on set client preview, connect HyperDeck Shuttle to a projector or TV via the HDMI or SDI outputs. Mount an SSD drive to a computer for instant access to video files. Read more >

    Familiar VTR Feel

    HyperDeck Shuttle has standard deck style function buttons, as well as LEDs that indicate input signal lock, recording and battery status. With the affordable HyperDeck Shuttle you won’t be tying up your expensive VTRs, but you’ll still be in familiar operating territory. Read more >

    Unparalleled File Compatibility

    HyperDeck Shuttle captures universally compatible uncompressed QuickTime files or compressed Apple ProRes 422 (HQ) and Avid DNxHD MXF files. Perfect with Media Composer, Final Cut Pro, Premiere Pro CC and leading video applications like DaVinci Resolve. Read more >

    Connect to Professional or Consumer Cameras

    With SDI and HDMI inputs and outputs, HyperDeck Shuttle works with virtually every camera, deck or monitor! Effortlessly plug into monitors or televisions for instant on set preview. Use HyperDeck Shuttle as the video playback source for digital signage systems or switchers. Imagine using HyperDeck Shuttle connected to a live production switcher for recording events, and then using it for live playback! HyperDeck Shuttle can do almost anything and it’s so small you’ll take it everywhere!

    HyperDeck Shuttle

    Introducing the world's most exciting portable broadcast deck that fits in your hand. Get the highest quality compressed and uncompressed video! Dramatically improve the quality of professional or consumer cameras! HyperDeck Shuttle records and plays back uncompressed QuickTime, and Apple ProRes 422 (HQ) or Avid DNxHD MXF files to common low cost SSDs so you can edit direct from the recorded files!

    hyperdeckshuttle.jpg
    number1.png

    Transport Control

    Buttons for Record, Stop, Next Clip and more!

    number2.png

    Display Button

    Activates the display mode.

    number3.png

    Power Button

    Power on and off. Hold button for 2 sec to turn off.

    number4.png

    Video Status

    Shows a valid video input is present.

    number5.png

    SSD Status

    Shows reads and writes from your SSD.

    number6.png

    Battery Level

    Shows charge state of the internal battery.

    number7.png

    Power Supply Connection

    Charge and power your HyperDeck Shuttle. Power supply connection supports 12V to 18V.

    number8.png

    HDMI Connections

    HDMI capture and playback connections.

    number9.png

    SDI Connections

    SDI/HD-SDI input and output connections.

    number10.png

    Mini USB 2.0

    Update your software and change settings!

    Go Anywhere, Record Everywhere!

    With a compact and incredibly sturdy design, HyperDeck Shuttle is machined out of a solid block of aircraft grade aluminum! That means you get a design with the strength to go anywhere! Take your HyperDeck Shuttle into the field, on set, to live events, or even on your extreme sport shoots. With an internal battery, just recharge and go! The possibilities are virtually endless! There’s no need to haul around a computer because the lightweight HyperDeck Shuttle does it all, yet fits easily in your backpack! You can even add HyperDeck Shuttle to your tripod along with your camera!

    Solid State Disk (SSD) Technology

    Simply plug a 2.5” solid state disk into HyperDeck Shuttle and you get video recording with blazing fast speed, low power consumption and totally silent operation. Now you can eliminate complicated and expensive disk arrays. A single SSD can record either compressed or uncompressed video effortlessly! Removable media like CF and SxS cards simply cannot match that kind of performance and require slow file copying to use. With no moving parts, SSDs are extremely robust and you can edit direct from the disk. Only SSDs can easily handle shocks and vibrations that would destroy conventional hard drives or videotapes.

    Unparalleled File Compatibility

    HyperDeck Shuttle captures the world's most popular video files in native uncompressed 10-bit QuickTime and compressed Apple ProRes 422 (HQ) or Avid DNxHD MXF files. Recording straight to ProRes or DNxHD is perfect for working with the full Avid Media Composer family of software including NewsCutter and Symphony. There is no need to reformat or transcode your files, so you get the most efficient Avid workflow. DNxHD files can easily be graded natively with DaVinci Resolve using full AAF roundtrip with Media Composer. HyperDeck Shuttle also records direct to mathematically perfect quality uncompressed 10-bit QuickTime files that can be used with all popular video software like Final Cut Pro, Premiere Pro CC, After Effects CC, DaVinci Resolve and more!

    Faster Cost Effective Workflows

    HyperDeck Shuttle improves every step of your production workflow pipeline. For quick on set QC or client preview, connect HyperDeck Shuttle to a projector or television via the HDMI or SDI outputs. You can even edit directly from the SSD with no digitizing or file copying. Simply plug the SSD into your laptop or desktop via a standard external eSATA dock and the disk mounts right on your computer’s desktop! SSDs are not much bigger than a credit card, so they can be sent anywhere in a simple overnight envelope.

    Familiar VTR Feel

    HyperDeck Shuttle has standard deck style function buttons, clearly marked and easily accessible along one side, as well as LEDs that indicate input signal lock, recording status and battery status. With the affordable HyperDeck Shuttle you won’t be tying up your expensive VTRs, but you’ll still be in familiar operating territory.

     

    Technical Specifications

    Description

    Get the compact, portable and affordable disk recorder that’s battery powered so it’s the perfect on set field recorder! HyperDeck Shuttle records to uncompressed QuickTime and compressed Apple ProRes 422 (HQ) or Avid DNxHD MXF file formats. Bypass your camera’s compression and record from SDI and HDMI onto low cost solid state disks. SSDs are cheap and fast, so you can edit directly from the SSD media itself!

    Connections

    SDI Video Input

    1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector.

    SDI Video Output

    1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector.

    HDMI Video Input

    1 x HDMI type A connector

    HDMI Video Output

    1 x HDMI type A connector

    SDI Audio Input

    16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files.

    SDI Audio Output

    16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files.

    HDMI Audio Input

    8 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files.

    HDMI Audio Output

    2 channels embedded in SD and HD

    SSD Interface

    1 x 2.5" SATA 3Gb/s

    Recorder Control

    7 buttons for local control of HyperDeck Shuttle or use USB 2.0 high speed interface.

    Recorder Configuration

    Use USB 2.0 high speed interface

    Computer Interface

    1 x Mini-B type USB 2.0 connector for initial setup, software updates and HyperDeck Utility software control.

    HyperDeck Shuttle

    Standards

    SD Format Support

    625/25 PAL and 525/29.97 NTSC. 480p60 and 576p50 via HDMI only.

    HD Format Support

    720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30

    SDI Compliance

    SMPTE 259M, SMPTE 292M

    SDI Metadata Support

    HD RP188 and closed captioning.

    Audio Sampling

    Television standard sample rate of 48 kHz and 24-bit

    Video Sampling

    4:2:2

    Color Precision

    10-bit

    Color Space

    REC 601, REC 709

    Multiple Rate Support

    SDI and HDMI switches between 270 Mb/s standard definition SDI and 1.5 Gb/s HD-SDI.

    Copy Protection

    HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.

    Codec Support

    Uncompressed 10-bit QuickTime, Apple ProRes 422 (HQ) QuickTime, Avid DNxHD QuickTime, Avid DNxHD MXF.

    Operating Systems

    Mac Icon

    Mac OS X 10.9 Mavericks,
    Mac OS X 10.10 Yosemite or later.

    Windows Icon

    Windows 7 or Windows 8.
     

    Power Requirements

    Battery

    Rechargeable built in lithium-ion polymer battery.

    Power Supply

    +12V universal power supply included with international socket adapters for all countries. Connection supports 12V to 18V.

    Physical Specifications

    HyperDeck Shuttle
  • Panasonic - DMC-GH4

    • 16 Megapixel 4/3 type MOS ('Live MOS sensor')
    • 4K resolution up to 30 fps
    • 12+ stops of dynamic range
    • 100 MB/s data speeds in 4k, 200 MB/s in HD
    • AVCHD / MP4 / MOV
  • RED EPIC-W 8K S35

    • HELIUM 35.4 Megapixel CMOS
    • 8K 2.4:1 resolution up to 30 fps
    • 16.5+ stops of dynamic range
    • 275 MB/s data speeds
    • REDCODE RAW
    • Apple ProRes Avid
    • DNxHR/HD
  • RED EPIC-X

    • MYSTERIUM-X 14 Megapixel Sensor
    • 5K 2.4:1 resolution up to 120fps
    • 8K 2.4:1 resolution up to 30 fps
    • 13.5+ stops of dynamic range, up to 18 stops with HDRx®
    • Compression choices of 18:1 to 3:1
    • REDCODE RAW
  • The PMW-F3 inherits DNA from the F35, which has been used for years in high-end digital cinematography, as well as most of the features and file-based workflow capabilities of PMW-EX1R and EX3 XDCAM EX solid-state memory camcorders.The PMW-F3 is equipped with the newly developed Exmor™ Super 35 CMOS image sensor, PL lens mount, and SxS card for 1920 x 1080 full-HD recording. The PMW-F3 features future expandability, including RGB 4:4:4 baseband output with S-LOG gamma for external recording which means it can be used in an HDCAM-SR™ workflow. It also offers a 3D-LINK option, which allows two camcorders to be controlled simultaneously for 3D stereoscopic shooting.

     

    Highlights:

    • Exmor Super 35 CMOS image sensor
    • RGB 4:4:4 and S-LOG output features pre-installed
    • Standard PL lens mount
    • Identical recording format and media to the existing PMW-EX1R and PMW-EX3
    • Small, compact body with a very modest footprint, weighing just 2.4 kg (5 lb 4 oz)
    • About three hours’ recording can be achieved with only one BP-U60 battery
    • HD-SDI Dual-link output connector
    • Scalable external recording solution
    • 3D-LINK option
    • Affordable and “ready-to-use” solution

     

    FeaturesBenefits:
    Exmor™ Super 35 CMOS Sensor The PMW-F3 is equipped with a newly developed Exmor Super 35 CMOS image sensor which offers creative shallow depth of field, similar to that of a film camera. This sensor has an extremely high sensitivity of F11 (ISO800) with a very low noise level (an S/N ratio of 63 dB). This is a significant advantage especially when shooting in low-light conditions or at night using only ambient light.
    RGB & S-LOG Output (CBK-RGB01) The PMW-F3L/RGB now includes a scalable external recording solution. The RGB 4:4:4 and S-LOG output features are now included pre-installed. RGB 4:4:4 baseband signal output is available for external recording devices such as HDCAM-SR recorders (i.e. Sony SR-R1). A LUT (Look Up Table) function is also provided for monitoring purposes when S-LOG output is activated. The PMWF3K/RGB also includes 3G-SDI output functionality. It enables users to select Dual-link HD-SDI or 3G-SDI depending on the connecting devices.
    PL Lens Mount The PMW-F3 employs a PL lens mount that is standard for film cameras, allowing use of a virtually unlimited number of prime and zoom lenses for 35-mm film cameras. This greatly broadens the choice of lenses for a wider spectrum of creative expression. A PL lens mount adapter comes with the camera as standard. The PMW-F3 supports the Cooke/i Technology protocol, which enables the camcorder to communicate with the lens to obtain lens metadata such as focus and iris position. The ARRI LDS interface will be supported as well. This improves post-production workflow as lens metadata can be recorded onto an SxS card and brought into the post-production process.
    XDCAM EX™ Workflow The recording format and recording media are identical to the existing PMW-EX1R and PMW-EX3, and proven, high-speed, intuitive XDCAM EX workflow can be used with high reliability. This workflow offers seamless integration with leading nonlinear editing software.
    Small and Lightweight, With Low Power Consumption The PMW-F3 has a small, compact body with a very modest footprint, and weighs just 2.4 kg (5 lb 4 oz). It offers mobility, flexibility, and cost efficiency. In addition, the camcorder’s power consumption is only 24 W, and about three hours’ recording can be achieved with only one BP-U60 battery.
    HD-SDI Dual-link Output The PMW-F3 has an HD-SDI Dual-link output connector which offers 4:2:2 1080 50/59.94p uncompressed signal output as standard. By using external recording devices such as HDCAM-SR recorders, users can achieve x 2.5 natural slow-motion playback in 1080/24p mode.
    3D-LINK Option (CBK-3DL01) Another new feature of the PMW-F3 is the 3D-LINK option which is especially convenient for 3D stereoscopic shooting. Two PMW-F3 cameras can be controlled by one camera remote controller at the same time. The two cameras are connected with a special 10-pin cable that includes genlock, timecode in/out, and control line. Simultaneous control of the Iris and Focus functions of two cameras is extremely useful.
    Painting capabilities for Digital Imaging Technicians With the use of either the RMB-150 or RMB-750 controller (sold separately) hooked up to the 8pin remote connector, digital imaging technicians can make various adjustments to the look of the footage captured by PMW-F3 camera based on the needs of the DP. Adjustable parameters are shown below.
    Native 24P Recording with Slow & Quick Motion For a film look the PMW-F3 offers native 24P (SD or HD) recording and Slow & Quick Motion function also known as over and under-cranking. These features enable users to create unique ‘looks’ or special effects with slow- and fast motion images.

     

    Camera Section SpecificationsDetail:
    Built-in Optical Filters OFF: Clear, 1: 1/8ND, 2: 1/64ND
    Gain -3, 0, 3 ,6, 9, 12, 18 dB, AGC
    Imaging Device Exmor Super 35mm equivalent CMOS
    S/N Ratio 63 dB (Y) (Typical)
    Sensitivity (2000 lx, 89.9% reflectance) T11 ISO800 (Typical)
    Shutter Speed (Time) 1/32 to 1/2000 sec.
    Slow Shutter 2 to 8 frames
    White Balance Preset (3,200 K), Memory A, Memory B/ATW

     

    General SpecificationsDetail:
    Battery Operating Time Approx. 130 min (HD-SDI Dual Link ON, w/BP-U60)
    Approx. 170 min (HD-SDI Dual Link OFF, w/BP-U60
    Built-in Microphone None
    Dimensions (W x H x D) 151 x 189 x 210 mm (6 x 7 1/2 x 8 3/8 inches)
    Mass Approx. 2.4 kg (5 lb 4.7 oz) without accessories
    Operating Temperature 0 °C to 40 °C (32 °F to 104 °F)
    Power Consumption Approx. 18 W (Typical) (HD-SDI Dual-Link OFF, VF ON, LCD monitor OFF.
    Max. 24 W (Typical) (HD-SDI Dual-Link ON, VF ON, LCD monitor ON)
    Power Requirements DC 12 V (11.0 v to 17.0 V)
    Recording Format Video: HD HQ Mode: MPEG-2 MP@HL, 35 Mbps / VBR
    HD SP Mode: MPEG-2 MP@H-14,25 Mbps / CBR:
    Audio: LPCM (16 bits, 48 kHz, 2 channels)
    Recording Frame Rate HD HQ Mode: 1920 × 1080/59.94i, 50i, 29.97P, 25P,23.98P; 1440 × 1080/59.94P, 50P, 29.97P,25P, 23.98P; 1280 × 720/59.94P, 50P, 29.97P, 25P,23.98P
    HD SP Mode: 1440 × 1080 /59.94i, 50i (23.98P is converted to 59.94i in 2-3 pulldown processing).
    Recording/Playback Time HQ Mode:
    Approx. 100 min with SBP-32 (32 GB) memory card
    Approx. 50 min with SBP-16 (16 GB) memory card
    Approx. 25 min with SBP-8 (8 GB) memory card
    SP Mode:
    Approx. 140 min with SBP-32 (32 GB) memory card
    Approx. 70 min with SBP-16 (16 GB) memory card
    Storage Temperature -20 °C to +60 °C (-4°F to +140 °F)

     

    Inputs/Outputs SpecificationsDetail:
    Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
    Audio Output RCA phono jacks (x2), –10 dBu (47kΩ load, reference level)
    Composite Output BNC type (x1), 1.0 Vp-p, 75Ω, HD-Y or analog composite signal
    DC Input XLR-type 4-pin
    DC Output N/A
    EXT 50-pin N/A
    Genlock Input BNC (x1)
    HDMI Output A-type (x1)
    Headphone Output Stereo mini jack (x1), –18 dBu (reference level output, 16Ω load)
    Lens Remote N/A
    MIC XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
    Remote 8-pin
    SDI Output BNC
    Timecode Input BNC (x1)
    Timecode Output BNC (x1)
    USB Mini-B/USB2.0 Hi-Speed (x1)
    i.LINK i.LINK, IEEE1394, 4-pin connector (x1), S400

     

    Lens SpecificationsDetail:
    Focal Length N/A
    Focus N/A
    Iris N/A
    Lens Mount PL mount (with supplied lens mount adapter)

     

    Monitoring SpecificationsDetail:
    Built-in LCD Monitor 8.8 cm diagonal (3.5-inch) color LCD, 16:9 Aspect ratio, Picture size 640 (H) × 3 (RGB) × 480 (V) delta sequence, Hybrid (semi-transmissive) type