RECORD 4K, HD & RAW* DIRECT TO HOLLYWOOD EDITING STANDARDS
Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI.
* RAW recording with future firmware update - See table below for latest release schedule
REVIEW INSTANTLY ON SET
Full playback controls allow collaboration on set to review content the moment it’s captured, using the full suite of monitor tools on screen or out to a larger HDMI or SDI monitor. There is even 4K to HD down scaling to connect with existing HD infrastructure.
THE WORLD’S MOST ADVANCED AUDIO AND VIDEO MONITOR
A stunning 7.1” 1920 x 1200 320ppi IPS screen makes Shogun perfect as a director’s monitor. Shoot more accurate colors with class leading 3D LUTs, 2:1/1:1 zoom for critical focus, waveform, focal assist and an optional Spyder calibration unit. It’s the perfect tool for perfect creative shot setup.
METADATA TAGGING AT POINT OF ACQUISITION
Save time in post by tagging your captured content the moment you review on set. Mark Favorite/Reject, create a custom playlist*, upload custom meta data tags* and even cut in/out points. Save them out as an XML on the Shogun and drop straight onto the timeline of your favorite NLE.* Available with firmware 6.3
2015 FUTURE UPDATES
4K off the sensor in edit friendly 422 10-bit Apple ProRes 422 for increased color depth & 10-bit for high quality post effects.
Spectacular 7.1” 1920x1200 320PPI SuperAtom IPS capacitive touch-screen.
Affordable, readily available SSD, HDD & CFast. Use singularly or raid 2 x HDD together to manage extra long 4K record times.
Our most advanced OS yet, with more monitoring features and a GUI to exploit the super resolution screen.
All the tools for perfect color, exposure & focus. Waveform, RGB parade, luma overlay, vectorscope, test pattern, 2:1 zoom, focus peaking, false color, zebra 0-100% & blue only.
A pro monitor requires pro audio. An included breakout Lemo cable gives balanced XLR, line/mic, phantom power & 2ch balanced output.
Trigger record start/stop & record timecode direct from the camera over HDMI (select Canon, Sony and cameras with the Atomos protocol) & SDI (all cameras).
Send 4K safely and conveniently using our 12G SDI connection. Avoid multiple SDI cables and avoid dropped frames.
Create FCPX XML projects on the fly with Favorite/Reject flags in the meta-data so you are ready to edit straight away in FCPX or Adobe Premiere.
Out of the box colors you can trust with calibration to SMPTE Rec. 709 & D65 white point or Canon C-Log. Alternatively enable Canon C-Log, Sony S-log 2/3 or calibrate on the fly with an optional Atomos Spyder.
Synchronize with the camera’s timecode & record run, free run, time-of-day time codes for independent external recording.
Lock to an external Genlock reference signal to synchronize the Shogun’s SDI playout. A must have for multiple camera shoots in a studio environment.
SHOGUN OS UPDATES
Custom meta data tagging
Anamorphic de-squeeze (including Panasonic 8:3)
Pre-roll record (8s HD, 2s 4K)
Custom time lapse recording (multi stage, duration & interval)
Custom playlist generaton
LUTs applied on output
Sony FS series RAW to ProRes, DNxHR and CDNG
Cinema 4K DCI support (4096 x 2160p)
Canon C500 RAW to ProRes, DNxHR, CDNG
Arri Alexa RAW to ProRes, DNxHR, CDNG
AJA CION RAW to ProRes, DNxHR, CDNG
HyperDeck Shuttle dramatically improves the quality of video cameras and is the perfect portable field recorder for live production switchers! It's also the ultimate solution for digital signage. HyperDeck Shuttle gives you the quality and flexibility of compressed ProRes or DNxHD and uncompressed recording direct to common low cost SSDs in the smallest possible size! HyperDeck Shuttle is compact, affordable and battery powered so it’s perfect as a field recorder. HyperDeck Shuttle bypasses your camera’s compression and records from SDI and HDMI direct into the highest quality video possible! SSDs are cheap and fast, so you can edit directly from the SSD media itself. Only SSDs eliminate time wasting file copying! Only £269
Now you have the freedom to work in both compressed and uncompressed video depending on the needs of your project! Uncompressed video will always produce the highest quality mathematically perfect results and is ideal when recording video for color correction, chroma keying and high end VFX work. When you need longer recording duration or you're working with lots of video material, HyperDeck Shuttle 2 can be instantly changed over to use ProRes or DNxHD MXF compressed video files. The popular Apple ProRes 422 (HQ) and Avid DNxHD files are SMPTE standard codecs that are used by thousands of broadcast and post production facilities worldwide as they maintain the highest 10-bit video quality with the advantage of smaller file sizes.
With a compact and incredibly sturdy design, HyperDeck Shuttle is machined out of a solid block of aircraft grade aluminum! That means you get a design with the strength to go anywhere! Take your HyperDeck Shuttle into the field, on set, to live events, or even on your extreme sport shoots. With an internal battery, just recharge and go! The possibilities are virtually endless! Read more >
Simply plug a 2.5” solid state disk into HyperDeck Shuttle and you get video recording with blazing fast speed, low power consumption and totally silent operation. Now you can eliminate complicated and expensive disk arrays. A single SSD can record either compressed or uncompressed video effortlessly! Removable media like CF and SxS cards simply cannot match that kind of performance and require slow file copying to use. Read more >
HyperDeck Shuttle improves every step of your production workflow pipeline. For quick on set client preview, connect HyperDeck Shuttle to a projector or TV via the HDMI or SDI outputs. Mount an SSD drive to a computer for instant access to video files. Read more >
HyperDeck Shuttle has standard deck style function buttons, as well as LEDs that indicate input signal lock, recording and battery status. With the affordable HyperDeck Shuttle you won’t be tying up your expensive VTRs, but you’ll still be in familiar operating territory. Read more >
HyperDeck Shuttle captures universally compatible uncompressed QuickTime files or compressed Apple ProRes 422 (HQ) and Avid DNxHD MXF files. Perfect with Media Composer, Final Cut Pro, Premiere Pro CC and leading video applications like DaVinci Resolve. Read more >
With SDI and HDMI inputs and outputs, HyperDeck Shuttle works with virtually every camera, deck or monitor! Effortlessly plug into monitors or televisions for instant on set preview. Use HyperDeck Shuttle as the video playback source for digital signage systems or switchers. Imagine using HyperDeck Shuttle connected to a live production switcher for recording events, and then using it for live playback! HyperDeck Shuttle can do almost anything and it’s so small you’ll take it everywhere!
Introducing the world's most exciting portable broadcast deck that fits in your hand. Get the highest quality compressed and uncompressed video! Dramatically improve the quality of professional or consumer cameras! HyperDeck Shuttle records and plays back uncompressed QuickTime, and Apple ProRes 422 (HQ) or Avid DNxHD MXF files to common low cost SSDs so you can edit direct from the recorded files!
Buttons for Record, Stop, Next Clip and more!
Activates the display mode.
Power on and off. Hold button for 2 sec to turn off.
Shows a valid video input is present.
Shows reads and writes from your SSD.
Shows charge state of the internal battery.
Charge and power your HyperDeck Shuttle. Power supply connection supports 12V to 18V.
HDMI capture and playback connections.
SDI/HD-SDI input and output connections.
Update your software and change settings!
With a compact and incredibly sturdy design, HyperDeck Shuttle is machined out of a solid block of aircraft grade aluminum! That means you get a design with the strength to go anywhere! Take your HyperDeck Shuttle into the field, on set, to live events, or even on your extreme sport shoots. With an internal battery, just recharge and go! The possibilities are virtually endless! There’s no need to haul around a computer because the lightweight HyperDeck Shuttle does it all, yet fits easily in your backpack! You can even add HyperDeck Shuttle to your tripod along with your camera!
Simply plug a 2.5” solid state disk into HyperDeck Shuttle and you get video recording with blazing fast speed, low power consumption and totally silent operation. Now you can eliminate complicated and expensive disk arrays. A single SSD can record either compressed or uncompressed video effortlessly! Removable media like CF and SxS cards simply cannot match that kind of performance and require slow file copying to use. With no moving parts, SSDs are extremely robust and you can edit direct from the disk. Only SSDs can easily handle shocks and vibrations that would destroy conventional hard drives or videotapes.
HyperDeck Shuttle captures the world's most popular video files in native uncompressed 10-bit QuickTime and compressed Apple ProRes 422 (HQ) or Avid DNxHD MXF files. Recording straight to ProRes or DNxHD is perfect for working with the full Avid Media Composer family of software including NewsCutter and Symphony. There is no need to reformat or transcode your files, so you get the most efficient Avid workflow. DNxHD files can easily be graded natively with DaVinci Resolve using full AAF roundtrip with Media Composer. HyperDeck Shuttle also records direct to mathematically perfect quality uncompressed 10-bit QuickTime files that can be used with all popular video software like Final Cut Pro, Premiere Pro CC, After Effects CC, DaVinci Resolve and more!
HyperDeck Shuttle improves every step of your production workflow pipeline. For quick on set QC or client preview, connect HyperDeck Shuttle to a projector or television via the HDMI or SDI outputs. You can even edit directly from the SSD with no digitizing or file copying. Simply plug the SSD into your laptop or desktop via a standard external eSATA dock and the disk mounts right on your computer’s desktop! SSDs are not much bigger than a credit card, so they can be sent anywhere in a simple overnight envelope.
HyperDeck Shuttle has standard deck style function buttons, clearly marked and easily accessible along one side, as well as LEDs that indicate input signal lock, recording status and battery status. With the affordable HyperDeck Shuttle you won’t be tying up your expensive VTRs, but you’ll still be in familiar operating territory.
Get the compact, portable and affordable disk recorder that’s battery powered so it’s the perfect on set field recorder! HyperDeck Shuttle records to uncompressed QuickTime and compressed Apple ProRes 422 (HQ) or Avid DNxHD MXF file formats. Bypass your camera’s compression and record from SDI and HDMI onto low cost solid state disks. SSDs are cheap and fast, so you can edit directly from the SSD media itself!
1 x 10-bit SD/HD switchable via DIN 1.0/2.3 connector.
1 x HDMI type A connector
16 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files.
8 channels embedded in SD and HD in QuickTime files. 2 channels in Avid DNxHD MXF files.
2 channels embedded in SD and HD
1 x 2.5" SATA 3Gb/s
7 buttons for local control of HyperDeck Shuttle or use USB 2.0 high speed interface.
Use USB 2.0 high speed interface
1 x Mini-B type USB 2.0 connector for initial setup, software updates and HyperDeck Utility software control.
625/25 PAL and 525/29.97 NTSC. 480p60 and 576p50 via HDMI only.
720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30
SMPTE 259M, SMPTE 292M
HD RP188 and closed captioning.
Television standard sample rate of 48 kHz and 24-bit
REC 601, REC 709
SDI and HDMI switches between 270 Mb/s standard definition SDI and 1.5 Gb/s HD-SDI.
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
Uncompressed 10-bit QuickTime, Apple ProRes 422 (HQ) QuickTime, Avid DNxHD QuickTime, Avid DNxHD MXF.
Mac OS X 10.9 Mavericks, Mac OS X 10.10 Yosemite or later.
Windows 7 or Windows 8.
Rechargeable built in lithium-ion polymer battery.
+12V universal power supply included with international socket adapters for all countries. Connection supports 12V to 18V.